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Soft Cell's Musical Force Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell with Marc Almond at Leeds during 1977

The talented musician, a key member of the innovative 1980s electronic music band Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the pair achieved a global success with their version of Gloria Jones' Tainted Love in the mid-80s, and their first record their initial full-length release is considered a seminal work of synth-pop.

He later formed the pioneering techno group The Grid, who secured popular acclaim with 1994's Swamp Thing.

Ball died peacefully in his rest at his home in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.

Health Struggles

During that performance, Ball performed in a wheelchair, as he had for the previous couple of years, following a period of health issues.

"I managed to damage myself quite a bit," he commented in 2023. "I fractured lower vertebrae in my back and fractured about multiple ribs and fractured my arm."

Following catching pneumonia and suffering from blood poisoning, he was placed in an medically-induced sleep and stayed in the hospital for seven months.

Nevertheless, he had been in "a great place mentally" over the summer, as he was developing a fresh record with Almond, called the upcoming Danceteria, which is set for publication next year.

"He was focused and very pleased with the latest project that we actually completed only a short time ago," said the singer in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an positive year for him, and I take some solace from the fact that he heard the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the beginning of the decade

Tributes

Almond referred to his collaborator as "an exceptionally talented musical genius", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an immense part of my existence and for the songs you created with me. I couldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, recalling Ball's "endless laughter" and "steadfast support".

"Being in a duo with someone is distinct from joining a band, the bond is very tight," he added.
"That was the case with us. We went through so many extraordinary, incredible, life-affirming moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Early Life

Brought into the world into a single-parent household in Chester in the late 50s, Ball was given up for adoption when he was 18 months old.

He was raised in the seaside town with his new family his caregivers, who altered his given name from Paul to his adopted name, alongside his sibling his sister, who was also adopted.

He met Almond at Leeds Polytechnic in the late 70s, where they were both studying art. Fuelled by a mutual passion of a music genre, they established Soft Cell the very year, and quickly produced an EP.

Musical Partnership

The duo were an unusual combination: Ball was the reserved technician, hunched over his keyboard, while Almond was a flamboyant performer, all sparkle and eye-liner; but they attained a unique musical alchemy.

Ball had developed a interest with electronic instruments after watching the band Kraftwerk appear on BBC program Tomorrow's World, and began to combine moody electronic sounds to the catchy tunes Almond was writing.

Their signature song became the UK's second most popular single of 1981, shifting millions of copies worldwide. Together with hits by other artists, contemporary bands and electronic acts, it contributed to paved the way for the electronic music style of the 1980s.

The song was also featured on their full-length debut, Non-Stop Erotic Cabaret, which produced two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the separate release, Torch, which reached at number two in 1982.

Soft Cell in the studio
The pair were working on new material until just before Ball's passing

Career Highlights

Success had its upsides. "I enjoyed being able to purchase my first home, having financial security and exploring, which might seem like a beauty queen," Ball recently shared with a music magazine.

But it also caused problems. "Sudden riches meant we could purchase substances to relieve the monotony" of media interviews and TV performances, Ball said.

"I know that's a common saying, but it's a cliché for a good reason, because it works for so many bands."

During the party-filled existence, the pair were also drifting apart, but they managed to produce a follow-up classic album - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They put out another LP, their 1984 release This Last Night In Sodom, before ending the group to focus on other projects.

Almond proceeded to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with ambient pop over a enduring partnership.

Later Work and Comebacks

Soft Cell reunited in 2001, producing the Top 40 record Cruelty Without Beauty.

After another hiatus, they returned in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the large venue on September 30, that year.

However, they remained active, creating their latest project, Happiness Not Included, during the pandemic restrictions.

Ball lately characterized the band's new album as a tribute to the New York club scene they visited while recording their initial records.

He added that his period in hospital had influenced the group's music.

"I had unusual memories when I was in and out of hospital because I was on morphine," he told a music magazine.
"The new songs are a electronic representation of the noises in my mind from that time.
"Simultaneously, it's about the times me and Marc had in the 80s."

The final mixes were completed only a short time before Ball died. It is due for release in Spring 2026.

About the author

William Curtis

A seasoned journalist with a passion for uncovering stories and sharing knowledge on diverse topics.

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